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	<title>Comments on: The Dark Crystal</title>
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	<description>Where Pornographers Debate Nihilists About Pop Culture</description>
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		<title>By: Ruthless Reviews &#187; THE MUPPET MOVIE (1979)</title>
		<link>http://www.ruthlessreviews.com/8005/the-dark-crystal/comment-page-1/#comment-992</link>
		<dc:creator>Ruthless Reviews &#187; THE MUPPET MOVIE (1979)</dc:creator>
		<pubDate>Thu, 24 Nov 2011 03:14:41 +0000</pubDate>
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		<description>[...] On the way, the Muppets are beset by problems as inexplicable as they are hilarious. Doc Hopper pursues Kermit with fanatical greed &#8211; he wants the talented frog to help advertise his Frog Leg franchise. This is fucked up in that even before he is  a star, he is pressured to sell out his talents and his species. Presenting such a concept as negative is almost quaint today, but such a temptation is an important part of any story about success. We all have abilities, and determining when and on what terms to sell them is a universal struggle. Later, Mel Brooks does a cameo as a mad German doctor, one of my first exposures to Nazis as cinematic villains, along with the face-melty guys from Raiders of the Lost Ark. The machine he has designed for Kermit is as creepy as it is awful, intending to turn him into a mindless model. The suggestion is that greed brainwashes us all, although I&#8217;m not sure how the Third Reich figures into it. I like to think of his device as a television, designed to insulate and amuse rather than enlighten while robbing you of your essence, much like the Scientist&#8217;s diabolical machine from The Dark Crystal. [...]</description>
		<content:encoded><![CDATA[<p>[...] On the way, the Muppets are beset by problems as inexplicable as they are hilarious. Doc Hopper pursues Kermit with fanatical greed &#8211; he wants the talented frog to help advertise his Frog Leg franchise. This is fucked up in that even before he is  a star, he is pressured to sell out his talents and his species. Presenting such a concept as negative is almost quaint today, but such a temptation is an important part of any story about success. We all have abilities, and determining when and on what terms to sell them is a universal struggle. Later, Mel Brooks does a cameo as a mad German doctor, one of my first exposures to Nazis as cinematic villains, along with the face-melty guys from Raiders of the Lost Ark. The machine he has designed for Kermit is as creepy as it is awful, intending to turn him into a mindless model. The suggestion is that greed brainwashes us all, although I&#8217;m not sure how the Third Reich figures into it. I like to think of his device as a television, designed to insulate and amuse rather than enlighten while robbing you of your essence, much like the Scientist&#8217;s diabolical machine from The Dark Crystal. [...]</p>
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		<title>By: Ruthless Reviews &#187; AVATAR</title>
		<link>http://www.ruthlessreviews.com/8005/the-dark-crystal/comment-page-1/#comment-169</link>
		<dc:creator>Ruthless Reviews &#187; AVATAR</dc:creator>
		<pubDate>Sat, 19 Dec 2009 19:54:40 +0000</pubDate>
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		<description>[...] from Jar Jar Binks, and the plant designs are cobbled from basic tropical leaves and the forest of The Dark Crystal. Avatar comes off as oddly incidental, a $250 million side effect, and the last great hangover of [...]</description>
		<content:encoded><![CDATA[<p>[...] from Jar Jar Binks, and the plant designs are cobbled from basic tropical leaves and the forest of The Dark Crystal. Avatar comes off as oddly incidental, a $250 million side effect, and the last great hangover of [...]</p>
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