The Asylum is best known (infamous, really) for churning out lower budget, lower quality versions of the most popular Hollywood movies under intentionally confusing titles like Age of the Hobbits or Transmorphers (the latter of which actually has more in common with The Terminator and Matrix movies than with Transformers, in plot if not quality; […]

Until the night I saw Parasite, I had been struggling to decide what my favorite movie so far this year has been. There have been many contenders, from highly anticipated sequels like John Wick Chapter 3: Parabellum and Avengers: Endgame to wild, weird arthouse flicks like Midsommar and Relaxer, not to mention the feature film […]

As both of my readers might know, I work at an indie/art-house movie theater in New York City. What you might not know, and might even find surprising, is that that is the type of venue at which the pretty much universally reviled Human Centipede movies get their theatrical exhibitions. The first one was kind […]

Ari Aster’s first film, Hereditary, had a trailer that was impossible to avoid for about six months leading up to its release. I must have seen it at least two dozen times. With every claim that it was the scariest movie to come along in decades, anticipation grew, and some degree of disappointment became more […]

Near the end of Hot Tub Time Machine (spoiler alert for a movie that is nearly ten years old and way better than the one I am currently reviewing), there was this plot device. The Craig Robinson character, Nick, used his knowledge of the pop music of his revisited youth to reinvent himself as a […]