I recently watched Goodfellas for the third…and final time, not because I intend to retire to eremitism, join a cult or end my life soon, but—to see how it held up. Seeing it first in 2004 while a twenty-year-old, English-as-a-second language twit enamored with mob flicks centered around New Yawk, big-city, third-world, streetwise culture; and, […]

Coming from the position of not knowing his earlier output, this take might be limited but better to have tried and failed, right? Nicolas Winding Refn occupies a unique place among active filmmakers, but also a precarious one. Revered without being critic-proof, his films decidedly garner polarizing sentiment. As a whole his later filmography forms […]

Sitting through The Witch, and long after it finished, I grappled with my reaction hoping to articulate it into a verdict, weeding out customary knee-jerk biases only for resignation to eventually set in. A second viewing was in order. Although it was one more borne out of pure enjoyment, rather than a needy reassurance, for […]

While accurate, to dismiss Jonathan Glazer’s unorthodox alien sci-fi as enigmatic is a simplistic exercise in reductionism, but it is also the easiest to do. Though tangential, comparisons to 2001: A Space Odyssey were inevitable, they would prove only insofar as creative intent. What Kubrick sought to ask would ultimately eclipse what his epic attempted […]

Despite being categorically different in tone, Nightcrawler is similar to Carancho in featuring cottage industries named in generic, often pejorative fashion. Except an honest assessment of Nightcrawler would do well without two things, to be fair: heaping plaudits on the performance by Jake Gyllenhaal, and; partaking in fanboy fuckery extended to a character that no […]