I recently watched Goodfellas for the third…and final time, not because I intend to retire to eremitism, join a cult or end my life soon, but—to see how it held up. Seeing it first in 2004 while a twenty-year-old, English-as-a-second language twit enamored with mob flicks centered around New Yawk, big-city, third-world, streetwise culture; and, […]
The Godfather of all gangster movies
Robert De Niro
The word “tenet” must save the world
John David Washington
As has become customary of late, the sound mixing in Nolan’s much anticipated, much delayed film was a topic of contention, and though intentional, it seriously interfered with desired immersion. Decrypting whose desire it was optimized for—the audience’s or Nolan’s—just may yield the most succinct review possible. I could go one further and declare it […]
Film TitleRaising Arizona
An ex-con and an ex-cop decide to end their childlessness and kidnap a quintuplet that will never be missed. Hilarity ensues.
DirectorJoel & Ethan Coen
Randall 'Tex' Cobb
In just a third of their output, the tapestry of locales and personas from vast walks of life in the Coen brothers’ cinematic universe reads more like an illustrated road atlas of the US than disparate stories. After just six films—Blood Simple, Fargo, The Big Lebowski, No Country for Old Men, Burn After Reading, and […]
Film TitleVelvet Buzzsaw
A satire set in the contemporary art world scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce.
When not engaged in auto-fellatio, one can imagine high brow, hoity-toity circles—art, fashion, and I shudder to think cinema is a third possibility—to instead partake in a close alternative; self-fucking. Sure, many a casting couch allegation attests to the coercive Weinstein Way, but I speak of complementary players being in bed with one another for […]
Within three weeks of our arrival to the US, Robert Kraft was busted having a masseuse play tug with his shaft, R. Kelly was made to face the music for real this time, and New Zealand had its infamous mosque shooting.
Film TitleThe Neon Demon
Jess is an aspiring actress who makes her move on Los Angeles
DirectorNicholas Winding Refn
Coming from the position of not knowing his earlier output, this take might be limited but better to have tried and failed, right? Nicolas Winding Refn occupies a unique place among active filmmakers, but also a precarious one. Revered without being critic-proof, his films decidedly garner polarizing sentiment. As a whole his later filmography forms […]
Film TitleThe Witch
A family in 1630s New England is torn apart by the forces of witchcraft, black magic and possession.
Sitting through The Witch, and long after it finished, I grappled with my reaction hoping to articulate it into a verdict, weeding out customary knee-jerk biases only for resignation to eventually set in. A second viewing was in order. Although it was one more borne out of pure enjoyment, rather than a needy reassurance, for […]
Film TitleUnder the Skin (2013)
Mysterious woman seduces lonely men.
Lots of other dudes
While accurate, to dismiss Jonathan Glazer’s unorthodox alien sci-fi as enigmatic is a simplistic exercise in reductionism, but it is also the easiest to do. Though tangential, comparisons to 2001: A Space Odyssey were inevitable, they would prove only insofar as creative intent. What Kubrick sought to ask would ultimately eclipse what his epic attempted […]
When planning your work is not enough
Despite being categorically different in tone, Nightcrawler is similar to Carancho in featuring cottage industries named in generic, often pejorative fashion. Except an honest assessment of Nightcrawler would do well without two things, to be fair: heaping plaudits on the performance by Jake Gyllenhaal, and; partaking in fanboy fuckery extended to a character that no […]
Flashes of brilliance, some poor choices.