>> Classics

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SORRY, WRONG NUMBER

Die! Die! Die, my Darling.

By : June 19, 2006
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LE TROU

This is usually classified as an “escape” film, but it is much more telling to classify it as a movie about problem solving.

By : March 15, 2006
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THE QUIET MAN

Wayne huffs and puffs about the Irish countryside, piss-drunk and full of rage over not being able to throw Maureen O’Hara down on the bed and have his swaggering way with her.

By : March 15, 2006
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THE 400 BLOWS

A documentary on Madonna’s rise through the music industry?

By : March 11, 2006
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HIDDEN FORTRESS (Kakushi-toride no san-akunin)

We see the emotions and behavior of individuals–courage, fear, rage–but the flow and outcome of the combat are mechanical.

By : March 10, 2006
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THE PASSENGER

Is it possible to be moved by a film that you don’t quite understand?

By : March 10, 2006
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LES CARABINIERS

Fireworks are supposed to be brilliant and glorious, but these look like explosions of mud.

By : March 9, 2006
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STRAIT JACKET

one of the greatest camp classics of modern times

By : March 9, 2006
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BARRY LYNDON

“As flies to wanton boys are we to the gods, they
kill us for their sport.”

By : March 8, 2006
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THE TROUBLE WITH HARRY

- Hitchcock is one of cinema’s great misanthropes, perhaps the greatest.

By : March 7, 2006