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STAIRCASE, THE

I hadn’t experienced an emotional reversal of fortune this dramatic since discovering that the soft-featured prostitute devouring my member was…

By Matt Cale: October 27, 2006
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MAN ON THE MOON

Milos Forman’s Man on the Moon is about the only movie that could ever be made about a man like Andy.

By Matt Cale: October 13, 2006
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WRITTEN ON THE WIND

Sirk brings the immaculately overdone melodrama.

By Matt Cale: August 27, 2006
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IN THE HEAT OF THE NIGHT

Matt Cale loves his DVD club.

By Matt Cale: July 19, 2006
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REQUIEM FOR A HEAVYWEIGHT

Matt Cale’s film defense is IMPREGNABLE.

By Matt Cale: June 30, 2006
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DOUBLE INDEMNITY

An all-time classic.

By Matt Cale: June 23, 2006
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PAT GARRETT & BILLY THE KID

In contrast, Billy is of the past; a dying symbol of an age without borders, limits, or legal restraints.

By Matt Cale: May 19, 2006
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RED (Trois couleurs: Rouge)

Irene Jacob is as lovely as human beings get, and the story is irrelevant in many ways…

By Matt Cale: April 19, 2006
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POINT BLANK

Lee Marvin was never one for conversation or debate.

By Matt Cale: April 10, 2006
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KAGEMUSHA

As usual, Kurosawa lets us in gradually, through an examination of
pained ritual and bursts of spontaneity that are invariably punished.

By Matt Cale: March 14, 2006