Category: Classics & Hitchcock
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Ruthless (1948)
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Read more: Ruthless (1948)Bam Margera wept.
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Breaker Morant
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Read more: Breaker Morant‘Military justice’ about says it all.
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Duel In The Sun (1946)
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Read more: Duel In The Sun (1946)David O. Selznick wanted another big blockbuster like Gone With the Wind. He had room for plenty more Oscars on the ego shelf where his awards were available for all to ”ooh and aah” and offer praise like, ”You did a hell of a job on that one, Mister Selznick”. There for all to see,…
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Nosferatu (1922)
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Read more: Nosferatu (1922)It has now been a century since the release of the first real vampire movie, F.W. Murnau’s somewhat loose adaptation of Bram Stoker’s 1897 novel Dracula. In Nosferatu: A Symphony of Horror, the names of characters were changed, along with many plot details, and still there was a lawsuit brought by Stoker’s heirs, and a…
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A Handful of 80s British Classics
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Read more: A Handful of 80s British Classics“Don’t threaten me with a dead fish!” Full marks if you can recognize an indignant Withnail trying to be tough with a gruff poacher in a pub. As far as British movies go, Withnail and I gets my vote as the decade’s best alongside the perpetually bewildered Harold Shand in The Long Good Friday. Now…
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The Fountainhead (1949)
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Read more: The Fountainhead (1949)Lines and shadows, shadows and lines. The Fountainhead is all sharp angles defined by shadows defined by shadows so sharp they could cut through the self-servicing philosophy of the artless Rand on the airless moon. Only one director could have made sense of this!!! King Vidor of Galveston Texas. He cut through the angles when…
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Frenzy (1972)
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Read more: Frenzy (1972)Hitch does tits! Well, there’s a bit more to this blackly comic, London-based thriller than bare breasts, but they’re the most obvious sign the legendary director had embraced the early seventies’ newfound freedoms. Frenzy is graphic at times, much more so than other serial killer efforts such as Shadow of a Doubt and Psycho, but…
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Seconds (1966)
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Read more: Seconds (1966)Sinead O’Connor called her fantastic second album I Do Not Want What I Haven’t Got, although she could’ve just said I Want What I’ve Got. But what if you no longer want what you’ve got? What happens if all your responsibilities, connections and habits are nothing but burdens? Given the chance, would you cast them…
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She (1965)
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Read more: She (1965)Do you have a favorite little movie that somehow doesn’t get the recognition it deserves? You know, a flick that’s pretty much always met with scorn, lukewarm reviews and general disdain. Year after year you keep expecting the love to materialize, especially as there are so many filmgoers out there gushing over what can only…
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A Handful of 90s British Classics
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Read more: A Handful of 90s British ClassicsThe nineties was the last great decade for movies. Here we had the likes of Goodfellas, Unforgiven, Pulp Fiction, Thelma and Louise, Fargo, Se7en, Silence of the Lambs and Schindler’s List while (as detailed below) those Limey bastards also coughed up a good few belters. Yes, terrific movies still get made post-2000 (e.g. Requiem for…