Author: Matt
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A Prairie Home Companion: From the Ruthless Archives
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Read more: A Prairie Home Companion: From the Ruthless ArchivesThe master’s swan song becomes one of his finest works.
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The Unsung: John McCabe’s Coat, McCabe & Mrs. Miller (1971)
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Read more: The Unsung: John McCabe’s Coat, McCabe & Mrs. Miller (1971)There’s a whole hell of a lot to say about McCabe & Mrs. Miller, from the elegiac sadness afoot, to the underlying notion that dreamers, when they dream, often (and usually) end up shot.
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Men of Consequence, Volume V: Paul Newman, Hud (1963)
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Read more: Men of Consequence, Volume V: Paul Newman, Hud (1963)If you’re going to be a cad, a prick, an unabashed pussy hound, and by far the most self-serving cynic in the history of the cinema, it’s best to look like Paul Newman.
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Men of Consequence, Volume IV: Burt Reynolds, Deliverance (1972)
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Read more: Men of Consequence, Volume IV: Burt Reynolds, Deliverance (1972)For all his swagger, unapologetic machismo, and consummate derring-do, Lewis is still, at his core, a realist.
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The Passenger (1975)
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Read more: The Passenger (1975)Is it possible to be moved by a film that you don’t quite understand?
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Men of Consequence, Volume III: Ned Beatty, Network (1976)
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Read more: Men of Consequence, Volume III: Ned Beatty, Network (1976)Due to popular demand, I have decided that my newly minted “Men of Consequence” series will pivot, buck convention, and add an entry that doesn’t involve beating some lippy broad to a pulp.
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My Own Personal Jesus-The Eureka Springs Experience
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Read more: My Own Personal Jesus-The Eureka Springs ExperienceBy turns a direct link to a finely tuned spirituality and a transfer of theme park values to the most sacred of relations, it is…
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Men of Consequence, Volume II: Ronald Reagan, The Killers (1964)
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Read more: Men of Consequence, Volume II: Ronald Reagan, The Killers (1964)Thirty-one words. Perhaps not quite the equal to Lincoln’s Gettysburg Address for brevitic brilliance, but close. Damn close.
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Men of Consequence, Volume I : Lee Marvin, Point Blank (1967)
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Read more: Men of Consequence, Volume I : Lee Marvin, Point Blank (1967)It is, for my money, the greatest thirty seconds in the history of the cinema. If I’ve seen it once, I’ve seen it a hundred times, if only because it’s one of the few scenes going that needs no context.
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Brokeback Mountain (2005): From the Ruthless Archives
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Read more: Brokeback Mountain (2005): From the Ruthless ArchivesIt’s what we always knew to be true: beneath the tight jeans, sweaty chaps, and weathered countenance, the American Cowboy is an ass-pounder waiting to be born.