Category: Classics & HItchcock

An early—perhaps, only—highlight in Resident Evil: Code Veronica features a palace sitting below a private residence atop a hill on a southern ocean island facility overrun by the bioengineered monstrosities it helped create. That gothic castle looms in the background, and as you, the player, forge an eventual path toward the perched building, the eerie…

The Wet House provides a judgment-free atmosphere for drunks, but there was no such thing in the world of this ground-breaking movie that was made in 1945. Don Birnam is a part-time writer and a full time, 24-carat alcoholic. For someone like Don Birnam, the judgment was EVERYWHERE, his supporting brother, to a lesser extent…

Lines and shadows, shadows and lines. The Fountainhead is all sharp angles defined by shadows defined by shadows so sharp they could cut through the self-servicing philosophy of the artless Rand on the airless moon. Only one director could have made sense of this!!! King Vidor of Galveston Texas. He cut through the angles when…

Hitch does tits! Well, there’s a bit more to this blackly comic, London-based thriller than bare breasts, but they’re the most obvious sign the legendary director had embraced the early seventies’ newfound freedoms. Frenzy is graphic at times, much more so than other serial killer efforts such as Shadow of a Doubt and Psycho, but…

Do you have a favorite little movie that somehow doesn’t get the recognition it deserves? You know, a flick that’s pretty much always met with scorn, lukewarm reviews and general disdain. Year after year you keep expecting the love to materialize, especially as there are so many filmgoers out there gushing over what can only…

“Men sometimes have strange motives for the things they do.” So says Matthew Hopkins, Witchfinder General, and one of this brutal flick’s coarse joys is trying to work out his. Does he really believe he’s doing God’s work? Or is he merely an opportunist, a man happy to take advantage of the breakdown in law…