Category: Classics & Hitchcock
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Shockproof (1949)
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Read more: Shockproof (1949)Jenny Marsh (Patricia Knight) was born bad. Blessed with killer gams, merciless locks, and teeth so blindingly white she could blot out the sun
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The Passenger (1975)
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Read more: The Passenger (1975)Is it possible to be moved by a film that you don’t quite understand?
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King Rat (1965)
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Read more: King Rat (1965)In wartime, it is not always the highest ranked individuals that run the show.
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Ace In the Hole (1951)
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Read more: Ace In the Hole (1951)If it took losing his family to the ovens of Auschwitz (including his mother) in order for Billy Wilder to see humanity so clearly…
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Cool Hand Luke
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Read more: Cool Hand LukeA Natural Born World Shaker. Paul Newman has always been in the top tier of the greatest actors of all time.
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Vertigo (1958)
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Read more: Vertigo (1958)No director was more fluent in that language than Alfred Hitchcock. Vertigo is the most conspicuous example of his fluency.
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Paths Of Glory (1957)
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Read more: Paths Of Glory (1957)There are many great anti-war films. From the most horrific war movie ever, Come And See, to the preparing for a war already lost in Tigerland, these films are riveting.
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Shadow of a Doubt (1943)
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Read more: Shadow of a Doubt (1943)Charlie Oakley (Joseph Cotten) in Alfred Hitchcock’s Shadow of a Doubt fails again and again to resist the urge toward self-destruction.
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The Big Heat (1953)
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Read more: The Big Heat (1953)When Lee Marvin asks if you want two lumps with your coffee, he’s not talking about sugar.
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Dial M for Murder (1954)
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Read more: Dial M for Murder (1954)‘Master of suspense’ twice… Nice! And… no. I’ll tell you what this movie is: boring to the extreme. Jesus Christ! The whole movie, from beginning to end, can be summed up like this: people walking and talking in a house.